Gallery of Glazes - Stardust (UPDATED with new glaze photos)
'When rainbows turn rain into gold.'
I’m not a potter, so can confess I know zilch about the wonders of creating, using and firing glazes, however, I'm super passionate about Titian Studio's decorative glazes.
PB.104 - Black Stardust
The stardust pattern shows as tiny gold spots and fine dribbles over a dark underglaze, then finished in clear glaze. The child in me feels it's reminiscent of a vase sitting outside, just as a rainbow passes overhead, turning rain spots into pure gold.
B.102 - Black Stardust
Ceramic decorator Mary Baillie had been enticed to come out from England to work for Tom Clarke at Crown Lynn. She brought her mother out with her. After many years with Crown Lynn, she moved to Titian Studio in 1963 at Henderson. Mary brought with her the decorating techniques she’d learnt at Royal Doulton, such as lustres and golds. At Titian she was in charge of gold application, hand decoration and the applying of transfers. Cam Jnr tells me she was a highly valued member of the Titian team. The stardust gold is either 18ct or 24ct gold.
CORRECTION: Cameron Brown created the stardust glaze. Mary Baillie was a traditional gold artist which she used in her ceramic painting and decorating. She did not work with, or invent any glazes.
B.106 - Black Stardust
Many black vases in the Titian Studio range are pink on the inside including, stardust, crackle, lace and the gold grape decal vases. Cameron Brown felt the pink contrasted elegantly against the black. The original slip had a pink stain added.
TNB.300 - Black Stardust
PV.109 - Black Stardust
As you can see in the above photo of the ruffled vase, this glaze is particularly difficult to capture without reflections. I think Philip did an amazing job with these examples.
I do hope you will do more posts on Titian glazes, Louise. They were outstanding.
ReplyDeleteThank you Val. Yes, I'll keep popping glaze posts into my blog periodically. There's a lot of lovely glazes for me to show.
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